Through his musical engagement in both the Symphonic Orchestra and Percussion Ensemble of the Johann-Joseph-Fux Conservatory, Roman gained much experience not only in the compositional aspect, but also in his ability to convey different musical approaches to Nosgoth’s sound.  His piano studies eventually led him to be interested more in rhythm and percussion.  As its drummer, Roman uses his knowledge of Opera to act as a main driving force that gives Nosgoth its unique sound.  His ability to dissect complicated classical orchestrations and find a more modern arrangement makes Roman an integral part of Nosgoth’s classical sound.